Duration: 90 seconds · Release: Origin / Pilot Trailer · Tone: Restrained. Personal. The horror is quiet.
The Origin Trailer. The audience doesn't know what they're watching until it's too late. Solo piano and sparse strings — no percussion. A letter finished. A child sold. Bodies on B-7. A confession. A surrender. Then: a mother wakes.
Music Reference: Ólafur Arnalds · "Near Light" · Solo piano + sparse strings · No percussion
Target: Comic-Con Panel Reveal · Emotional Foundation · Press Kit
| TIMECODE | VIDEO | VOICEOVER | MUSIC / SFX | ON-SCREEN TEXT | DIRECTION NOTE |
|---|---|---|---|---|---|
| ▶ ACT 1 — THE ORIGIN — SOLO PIANO · BPM 52 — 0:00–0:22 | |||||
| 0:00–0:08 | CLIP 01 The Letter |
LILAC (V.O.) — "A83508. That was my name. Sixteen years without knowing it was a name." | Solo piano: 3-note motif, BPM 52, rubato, pianissimo. Pen scratch on paper → silence. | — | Locked macro. Hand finishes the last word. Two-second pause. Pen down. Irreversible. |
| 0:08–0:14 | CLIP 02 Johnson |
— | Piano continues. Bulb flicker hum. No percussion. | — | Three seconds of stillness. Then: Lilac moves inside the pistol line — defensive, controlled, no blood. Walks out. |
| 0:14–0:22 | CLIP 03 The ARCA |
— | Piano motif holds. Contract printer rhythm enters as environmental bed. | In 2041, the soul became property. | Slow push-in. Mother signs without reading. Boy holds eye contact with Lilac. Door closes. She does not look up. |
| ▶ ACT 2 — THE REVEAL — CELLOS ENTER — 0:22–0:37 | |||||
| 0:22–0:29 | CLIP 04 Nexus Tower |
LILAC (V.O.) — "Every number is a child… One of those numbers is me." | Two solo cellos enter — half-step friction, unresolved. Distant rain + tower hum. | — | Slow tilt up from wet street to full Nexus Tower. Lilac tiny on rooftop. Blade Runner 2049 palette. |
| 0:29–0:37 | CLIP 05 B-7 Cryogenics |
— | Cellos hold. Refrigeration units — mechanical heartbeat. The sound alone is the score. | They kept the bodies. They sold the rest. | Crane down the capsule corridor. Scale is the horror. Hundreds of children's faces. |
| ▶ ACT 3 — THE COST — CHAMBER STRINGS — 0:37–0:55 | |||||
| 0:37–0:43 | CLIP 06 Soren's Confession |
SOREN — "The glitch in your collar wasn't an accident. I introduced it…" | Chamber strings enter pianissimo. Server hum. Circuits failing — orange flicker. | — | He does not look at her. Pause 1.0s after "accident." She interrupts at 100%. Does not look at him again. |
| 0:43–0:48 | CLIP 07 Lilac Surrenders |
LILAC — "I am LILAC-347A. Code A83508. I surrender." | Piano drops (music cue ~0:58 region maps to emotional peak). Her voice is the quietest thing in the room. | — | Arms slightly raised — calculated. Six white units stop. Stated as a technical fact. 75% speed. |
| 0:48–0:55 | CLIP 08 Vera Wakes |
— | Strings thin. Cryo seal hiss. Single breath. Warmest light in the series on her face. | She has been waiting 14 years. | Eyes open purposeful — not confused. Lips form: "Where is my daughter?" She begins to move. |
| ▶ TITLE CARD / TAIL — PIANO RELEASE — 0:55–1:07 | |||||
| 0:55–1:03 | BLACK + TITLE Title card |
— | Piano returns alone. Three notes. One time. Then: not a fade — a release. | A N I M A / CODE 347 | Hold black. Title on black. Silence that is not empty. |
| 1:03–1:07 | BLACK TAIL End card |
— | Silence. Music finished. | anima.cineimagine.com | Black tail. Portal URL only. No platform logo needed. |